Rating: 9 out of 10
Band Lineup:
Ian Bruce-Douglas-guitar, harmonica, keyboards, vocals
Richard Nese-bass
Geoffrey Winthrop-guitar, vocals, sitar
Barbara Hudson-guitar, vocals
Keith Lahteinen-drums, vocals
Track Listing:
Side One
1. Gilded Lamp of the Cosmos (Bruce-Douglas)
2. Visions of Your Reality (Bruce-Douglas)
3. Jazz Thing (Bruce-Douglas)
4. Mind Flowers (Bruce-Douglas)
Side Two
5. Where You’re At (Bruce-Douglas)
6. Suite: Genesis of Beauty (In Four Parts) (Bruce-Douglas)
7. Fifth Horseman of the Apocalypse (Bruce-Douglas)
8. Fragmentary March of Green (Bruce-Douglas)
This is a really great album. I absolutely don’t care what all the big shot critics say. While Ian Bruce-Douglas may be a kindred spirit of Frank Zappa, I don’t see any way that a critic can see this album as a cash in or Frank Zappa rip off. The emotion that is present in Ian’s lyrics is just too strong. Unfortunately, this album is labeled as such due to a poorly run marketing campaign to promote the “Bosstown Sound” of Boston area psychedelic bands run by their record label. Please don’t let that campaign continue to tarnish a great album over forty years later. Give it a fair listen with an open mind. You just might like what you hear…
“Gilded Lamp of the Cosmos”: A stunning, though quite dark, opener featuring Barbara Hudson on lead vocals. Just like every other song on this album, “Gilded Lamp of the Cosmos” exudes a bad trip feel, as Ian’s lyrics denounce phoniness both in straight society and amongst the counterculture (similar to Frank Zappa and the Mothers’ We’re Only In It For The Money), and also deal with the psychological damage such a phony society can cause. Barbara’s voice works great on this song, as it oozes with a sort of sneering darkness. I don’t care what the critics say about this being a cash-in or a Zappa rip off, this is brilliant.
“Visions of Your Reality”: Another great song, continuing the same themes established in “Gilded Lamp of the Cosmos,” although Ian takes over the lead vocal duties here. Again, the instrumentation is fairly spacey and subdued, putting the emphasis on the lyrics, which again show Ian’s disillusionment with the “shallowness” of society.
“Jazz Thing”: Another Ultimate Spinach classic in the same vein as the first two tracks on the album. Ian is again on lead vocals. There isn’t much else to say, since this song is pretty similar thematically and stylistically to the first two songs, so just sit back and enjoy it.
“Mind Flowers”: This is the masterpiece that all of side one has been building up to. Lyrically, it is similar to the other songs, but it is much more spacey, and the tempo is slower. The length of the song also allows for some breaks so that the band can show off their instrumental prowess. Ian again sings lead, with a slow, spacey voice, and maintains that feeling when he performs a spoken bridge in the middle of the song. The spacey mood of “Mind Flowers” is heightened by the use of echo on some of Ian’s spoken piece and the strange electronic noises that crop up throughout the song. This is an excellent conclusion to side one of the album.
“Where You’re At”: Side two begins just like side one, with Barbara Hudson singing lead. The theme of the song is the same as those on side one, as Ian’s lyrics denounce phony spacers and people who attempt to make everyone feel sorry for them. There is some nice, driving guitar work in this song, and the tempo is a little faster than most Ultimate Spinach songs, making this an excellent opener for side two.
“Suite: Genesis of Beauty (In Four Parts)”: This is definitely the centerpiece of side two, and another of Ian’s masterpieces. “Genesis of Beauty” actually is a long suite made up of four distinct parts. The first part features Barbara on lead vocals singing in a very classical, almost church choir, style. Part two has Ian taking over the lead vocal duties and sounds like a typical Ultimate Spinach song (albeit a very good one). The third part is an instrumental, featuring some cool keyboard work by Ian, showing that he was more than just a talented singer and songwriter. Part four is a reprise of part one with Barbara again singing choir-like vocals. This is a great track and the four parts flow seamlessly into one another, creating an absolutely beautiful piece.
“Fifth Horseman of the Apocalypse”: The only instrumental on the album turns out to be a decent track with some pretty passages and a chance for all the instruments to get a little solo time, but is overall unremarkable. There is nothing bad about this track, and there are some nice guitar solos and even some bits with harmonica, but it is just not as memorable as the rest of the material on this album.
“Fragmentary March of Green”: This album ends with another gem entitled “Fragmentary March of Green.” It is in the same vein as just about everything else on the album, and denounces the constrictions of straight society. The song ends with a chant of “insanity, reality,” repeated numerous times, which is actually an excellent summary of the themes running throughout this album. Overall, this is an excellent closing track.
Hopefully you enjoyed the trip, and have emerged a much wiser, if somewhat more pessimistic listener. Despite its cynical theme, I do feel that Ian offers a message of hope for emancipation from the snares of this world in many of the songs, so hopefully you can take away some hope along with a heavy dose of realism. This is truly an exquisite and ambitious album, and one of my absolute favorites. I was very close to giving it a 10, but felt that my apathy towards “Fifth Horseman of the Apocalypse” along with the overall lack of stylistic variation made it better suited for a very strong 9. If you are interested in this album, I recommend purchasing the cd reissue on the Iris Music Group label, as many of the songs are edited (read butchered) on the Big Beat version. I hope you enjoy.
And links to the songs:
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